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	<title>Comments for Ben Waltzer</title>
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		<title>Comment on Undead Festival by JULIO</title>
		<link>http://benwaltzer.com/?p=561&#038;cpage=1#comment-240</link>
		<dc:creator>JULIO</dc:creator>
		<pubDate>Sun, 04 Jul 2010 05:17:02 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.com/?p=561#comment-240</guid>
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		<title>Comment on Bill Dixon (1925-2010) by HARVEY</title>
		<link>http://benwaltzer.com/?p=594&#038;cpage=1#comment-239</link>
		<dc:creator>HARVEY</dc:creator>
		<pubDate>Fri, 25 Jun 2010 23:57:16 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.com/?p=594#comment-239</guid>
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		<title>Comment on Big Easy, or Treme, after John McWhorter by mattsak</title>
		<link>http://benwaltzer.com/?p=1202&#038;cpage=1#comment-408</link>
		<dc:creator>mattsak</dc:creator>
		<pubDate>Thu, 20 May 2010 13:59:26 +0000</pubDate>
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		<description>Thanks for this... John McWhorter can only inspire primitive rantings from me, and here you&#039;ve come up with a balanced and nuanced take.</description>
		<content:encoded><![CDATA[<p>Thanks for this&#8230; John McWhorter can only inspire primitive rantings from me, and here you&#8217;ve come up with a balanced and nuanced take.</p>
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		<title>Comment on Big Easy, or Treme, after John McWhorter by Luke</title>
		<link>http://benwaltzer.com/?p=1202&#038;cpage=1#comment-407</link>
		<dc:creator>Luke</dc:creator>
		<pubDate>Mon, 17 May 2010 13:51:22 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.org/?p=1202#comment-407</guid>
		<description>Great post, great tying together of the narrative threads. For the most part I agree, but I&#039;m not sure the false notes are as fully intentional as you argue.  Season five of The Wire was filled with such moments and tinny polemic yet the narrative didn&#039;t ultimately move to cut against those presumptions, and that tendency makes me think the tensions will continue to be a balancing act that sometimes resolve in analytical meaning and sometimes remain tilted too far. The NY jazz thing feels especially overdrawn (and so self-consciously oedipal), and the busker storyline with our friend from the sushi restaurant lacks the nuance of the other components of the show.  Ultimately, though, the questions you&#039;re asking about culture I think are the best way to get meaning/value out of the experience of the show, and taking our time&#039;ll definitely help.</description>
		<content:encoded><![CDATA[<p>Great post, great tying together of the narrative threads. For the most part I agree, but I&#8217;m not sure the false notes are as fully intentional as you argue.  Season five of The Wire was filled with such moments and tinny polemic yet the narrative didn&#8217;t ultimately move to cut against those presumptions, and that tendency makes me think the tensions will continue to be a balancing act that sometimes resolve in analytical meaning and sometimes remain tilted too far. The NY jazz thing feels especially overdrawn (and so self-consciously oedipal), and the busker storyline with our friend from the sushi restaurant lacks the nuance of the other components of the show.  Ultimately, though, the questions you&#8217;re asking about culture I think are the best way to get meaning/value out of the experience of the show, and taking our time&#8217;ll definitely help.</p>
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		<title>Comment on Chaka gets in the gully. by Luke</title>
		<link>http://benwaltzer.com/?p=1312&#038;cpage=1#comment-394</link>
		<dc:creator>Luke</dc:creator>
		<pubDate>Wed, 16 Sep 2009 17:50:15 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.org/?p=367#comment-394</guid>
		<description>Daaaaaamn, Chaka.  She just did this to show she could.</description>
		<content:encoded><![CDATA[<p>Daaaaaamn, Chaka.  She just did this to show she could.</p>
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