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	<title>Comments for Ben Waltzer</title>
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	<link>http://benwaltzer.com</link>
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		<title>Comment on Contact by Jonathon Furer</title>
		<link>http://benwaltzer.com/?page_id=7&#038;cpage=1#comment-16421</link>
		<dc:creator>Jonathon Furer</dc:creator>
		<pubDate>Thu, 15 Mar 2012 22:30:27 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.com/?page_id=7#comment-16421</guid>
		<description>Hi Mr. Waltzer,

My name is Jonathon Furer.  I am 16 years old, in the 11th grade, and I live in New Jersey.  I am writing you to find out if you available for private piano lessons.  Chris Washburne at Columbia University referenced me to you after a I met with him during a college tour.  It would be an honor to learn from you.  

I am a very passionate music student with a deep interest in the subject of jazz.  I have been studying piano since I was 5 and teaching since I was 10.  My focuses include jazz, improvisation, composition, arranging, and classical performance.  I have studied with Fred Hersch, Brandon McCune, Joe Kurasz, Bruce Williams, as well as some other teachers.  In our lessons, I would like to focus primarily on jazz, but I am open to anything that you would have in mind.

Thank you for your time and I hope to hear from you soon.

Kind regards,
Jonathon Furer
(908) 577 8764</description>
		<content:encoded><![CDATA[<p>Hi Mr. Waltzer,</p>
<p>My name is Jonathon Furer.  I am 16 years old, in the 11th grade, and I live in New Jersey.  I am writing you to find out if you available for private piano lessons.  Chris Washburne at Columbia University referenced me to you after a I met with him during a college tour.  It would be an honor to learn from you.  </p>
<p>I am a very passionate music student with a deep interest in the subject of jazz.  I have been studying piano since I was 5 and teaching since I was 10.  My focuses include jazz, improvisation, composition, arranging, and classical performance.  I have studied with Fred Hersch, Brandon McCune, Joe Kurasz, Bruce Williams, as well as some other teachers.  In our lessons, I would like to focus primarily on jazz, but I am open to anything that you would have in mind.</p>
<p>Thank you for your time and I hope to hear from you soon.</p>
<p>Kind regards,<br />
Jonathon Furer<br />
(908) 577 8764</p>
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		<title>Comment on John McNeil&#039;s Backbone by Despite their lack of pianos and guitars, these discs strike a chord with me I (CD reviews) &#124; Ottawa Citizen Blogs</title>
		<link>http://benwaltzer.com/?p=132&#038;cpage=1#comment-8500</link>
		<dc:creator>Despite their lack of pianos and guitars, these discs strike a chord with me I (CD reviews) &#124; Ottawa Citizen Blogs</dc:creator>
		<pubDate>Fri, 22 Jul 2011 19:53:07 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.org/?p=132#comment-8500</guid>
		<description>[...] trumpeter with a raw sound but lots of heart and bristling intelligence. (I must point you to this excellent profile of McNeil that gives insights into McNeil&#8217;s health issues, wry humour and dedication to music.) [...]</description>
		<content:encoded><![CDATA[<p>[...] trumpeter with a raw sound but lots of heart and bristling intelligence. (I must point you to this excellent profile of McNeil that gives insights into McNeil&#8217;s health issues, wry humour and dedication to music.) [...]</p>
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		<title>Comment on Gig Tonight by richard watts</title>
		<link>http://benwaltzer.com/?p=1585&#038;cpage=1#comment-1502</link>
		<dc:creator>richard watts</dc:creator>
		<pubDate>Sat, 13 Nov 2010 21:31:33 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.com/?p=1585#comment-1502</guid>
		<description>hi i&#039;m from menorca the metiterranean sea I was at that concert its been one of the best i&#039;ve seen thank you. ben ,dwayne, otis . fantastico , if u come to spain i&#039;d like to ear u play that piano again</description>
		<content:encoded><![CDATA[<p>hi i&#8217;m from menorca the metiterranean sea I was at that concert its been one of the best i&#8217;ve seen thank you. ben ,dwayne, otis . fantastico , if u come to spain i&#8217;d like to ear u play that piano again</p>
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		<title>Comment on Ben Waltzer Quintet, 4/30 by admin1</title>
		<link>http://benwaltzer.com/?p=249&#038;cpage=1#comment-1229</link>
		<dc:creator>admin1</dc:creator>
		<pubDate>Fri, 29 Oct 2010 02:51:03 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.com/?p=249#comment-1229</guid>
		<description>Neil&#039;s doing great.  Great guy and student.  I come by Portland from time to time; I only played there once, under the aegis of Paul Lichter.  Thanks for you note and please keep in touch!!</description>
		<content:encoded><![CDATA[<p>Neil&#8217;s doing great.  Great guy and student.  I come by Portland from time to time; I only played there once, under the aegis of Paul Lichter.  Thanks for you note and please keep in touch!!</p>
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		<title>Comment on Ben Waltzer Quintet, 4/30 by Gay Pearson</title>
		<link>http://benwaltzer.com/?p=249&#038;cpage=1#comment-1221</link>
		<dc:creator>Gay Pearson</dc:creator>
		<pubDate>Thu, 28 Oct 2010 12:44:23 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.com/?p=249#comment-1221</guid>
		<description>Hello Ben,

 I&quot;ve heard about you through your student  Neil Pearlman. HOw is he doing?? I haven&#039;t seen or heard him for at least 2 years, since he performed with his family at the Portland conservatory. I was amazed at the reharms he was using for celtic tunes, and have their CD &quot;On the Edge&quot;. 
Also I know you know Vardan Ovsepian (my teacher) from teaching at the Maine jazz camp. I have been with Vardan for almost 3 years, and he has saved my musical life.  He has introduced me to topics and conceptsI not only had never thought of , but never imagined I would be able to execute and apply to improvisation... especially with vamps and pedal points as a tool  fro developing new techniques, without having to think of alot of changes I&#039;ve grown to love them,  and now am making up my own. Now that i have heard Vardan perform a few times,  and have all his releases, it is such a treat to begin to hear a lot of what he is doing. 
I receive Jim Eigo&#039;s Jazz Promo services, most of which I can&#039;t begin to keep up with as far as really listening and learning from, but since I just came across yours, I want to listen to your music.  I understand from Neil that you are a very different player and teacher from Vardan. 

My Latest release is on CDBaby.com, but i am well beyond that now.  I teach at Portland conservatory, where Ed Pearlman used to teach.. Do you ever stop in Portland to or from the camp??  I will listen to whatever is on this site, shortly. Gay Pearson</description>
		<content:encoded><![CDATA[<p>Hello Ben,</p>
<p> I&#8221;ve heard about you through your student  Neil Pearlman. HOw is he doing?? I haven&#8217;t seen or heard him for at least 2 years, since he performed with his family at the Portland conservatory. I was amazed at the reharms he was using for celtic tunes, and have their CD &#8220;On the Edge&#8221;.<br />
Also I know you know Vardan Ovsepian (my teacher) from teaching at the Maine jazz camp. I have been with Vardan for almost 3 years, and he has saved my musical life.  He has introduced me to topics and conceptsI not only had never thought of , but never imagined I would be able to execute and apply to improvisation&#8230; especially with vamps and pedal points as a tool  fro developing new techniques, without having to think of alot of changes I&#8217;ve grown to love them,  and now am making up my own. Now that i have heard Vardan perform a few times,  and have all his releases, it is such a treat to begin to hear a lot of what he is doing.<br />
I receive Jim Eigo&#8217;s Jazz Promo services, most of which I can&#8217;t begin to keep up with as far as really listening and learning from, but since I just came across yours, I want to listen to your music.  I understand from Neil that you are a very different player and teacher from Vardan. </p>
<p>My Latest release is on CDBaby.com, but i am well beyond that now.  I teach at Portland conservatory, where Ed Pearlman used to teach.. Do you ever stop in Portland to or from the camp??  I will listen to whatever is on this site, shortly. Gay Pearson</p>
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		<title>Comment on Big Easy, or Treme, after John McWhorter by mattsak</title>
		<link>http://benwaltzer.com/?p=1202&#038;cpage=1#comment-408</link>
		<dc:creator>mattsak</dc:creator>
		<pubDate>Thu, 20 May 2010 13:59:26 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.org/?p=1202#comment-408</guid>
		<description>Thanks for this... John McWhorter can only inspire primitive rantings from me, and here you&#039;ve come up with a balanced and nuanced take.</description>
		<content:encoded><![CDATA[<p>Thanks for this&#8230; John McWhorter can only inspire primitive rantings from me, and here you&#8217;ve come up with a balanced and nuanced take.</p>
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		<title>Comment on Big Easy, or Treme, after John McWhorter by Luke</title>
		<link>http://benwaltzer.com/?p=1202&#038;cpage=1#comment-407</link>
		<dc:creator>Luke</dc:creator>
		<pubDate>Mon, 17 May 2010 13:51:22 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.org/?p=1202#comment-407</guid>
		<description>Great post, great tying together of the narrative threads. For the most part I agree, but I&#039;m not sure the false notes are as fully intentional as you argue.  Season five of The Wire was filled with such moments and tinny polemic yet the narrative didn&#039;t ultimately move to cut against those presumptions, and that tendency makes me think the tensions will continue to be a balancing act that sometimes resolve in analytical meaning and sometimes remain tilted too far. The NY jazz thing feels especially overdrawn (and so self-consciously oedipal), and the busker storyline with our friend from the sushi restaurant lacks the nuance of the other components of the show.  Ultimately, though, the questions you&#039;re asking about culture I think are the best way to get meaning/value out of the experience of the show, and taking our time&#039;ll definitely help.</description>
		<content:encoded><![CDATA[<p>Great post, great tying together of the narrative threads. For the most part I agree, but I&#8217;m not sure the false notes are as fully intentional as you argue.  Season five of The Wire was filled with such moments and tinny polemic yet the narrative didn&#8217;t ultimately move to cut against those presumptions, and that tendency makes me think the tensions will continue to be a balancing act that sometimes resolve in analytical meaning and sometimes remain tilted too far. The NY jazz thing feels especially overdrawn (and so self-consciously oedipal), and the busker storyline with our friend from the sushi restaurant lacks the nuance of the other components of the show.  Ultimately, though, the questions you&#8217;re asking about culture I think are the best way to get meaning/value out of the experience of the show, and taking our time&#8217;ll definitely help.</p>
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		<title>Comment on Chaka gets in the gully. by Luke</title>
		<link>http://benwaltzer.com/?p=1312&#038;cpage=1#comment-394</link>
		<dc:creator>Luke</dc:creator>
		<pubDate>Wed, 16 Sep 2009 17:50:15 +0000</pubDate>
		<guid isPermaLink="false">http://benwaltzer.org/?p=367#comment-394</guid>
		<description>Daaaaaamn, Chaka.  She just did this to show she could.</description>
		<content:encoded><![CDATA[<p>Daaaaaamn, Chaka.  She just did this to show she could.</p>
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