From a recent hit with the great Charles Owens

This summer I had the privilege to play with a saxophonist whom I’ve long admired: Charles Owens. Here are some excerpts from our performance at Smalls Jazz Club, featuring Andrew Jay Randazzo on bass, and Devonne Harris on drums. I hope you enjoy.

Up ‘Gainst the Wall_Owens by John Coltrane

No Resolution (Live) by Charles Owens

Steeplechase by Miles Davis

From the last engagement….

A short film clip from our last engagement.  ”Time and I,” featuring Dwayne Burno and Gerald Cleaver, filmed by Luke Waltzer:

Blues and Roots

My latest piece, on the bassist and composer Omer Avital, is up at Tablet.  Take a look here.

Jazz Standards

My piece on Anat Cohen and Israeli jazz musicians in New York is up at Tablet.

Dr. Martin Luther King on Jazz

Dr. Martin Luther King, Jr.

from the program booklet of the 1964 Berlin Jazz Festival

Humanity and the Importance of Jazz

God has brought many things out of oppression. He has endowed his creatures with the capacity to create – and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations.

Jazz speaks for life. The Blues tell the story of life’s difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph. This is triumphant music.

Modern Jazz has continued in this tradition, singing the songs of a more complicated urban existence. When life itself offers no order and meaning, the musician creates an order and meaning from the sounds of the earth which flow through his instrument.

It is no wonder that so much of the search for identity among American Negroes was championed by Jazz musicians. Long before the modern essayists and scholars wrote of “racial identity” as a problem for a multi-racial world, musicians were returning to their roots to affirm that which was stirring within their souls.

Much of the power of our Freedom Movement in the United States has come from this music. It has strengthened us with its sweet rhythms when courage began to fail. It has calmed us with its rich harmonies when spirits were down. And now, Jazz is exported to the world. For in the particular struggle of the Negro in America there is something akin to the universal struggle of modern man. Everybody has the Blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith. In music, especially this broad category called Jazz, there is a stepping stone towards all of these.

Vision Fugitive, Le Poisson Rouge

Looking forward to playing with JD Allen and Lawrence ‘Butch’ Morris’s group at Le Poisson Rouge Friday night.  Press release below:

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Sonny Rollins BBC Profile from 1968 with Paul Jeffrey

Sonny Rollins with Paul Jeffrey from Imago records & production on Vimeo.

via Curtis Fowlkes

Gig Tonight

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From the New York Times, 10.22.10:

The Ben Waltzer Quintet (Friday and Saturday) The pianist Ben Waltzer favors both lyricism and exploration in his music, and he works with musicians well equipped to split the difference; his quintet includes the trumpeter Duane Eubanks, the tenor saxophonist Bill McHenry, the bassist Dwayne Burno and the drummers Eric McPherson (10/22), Otis Brown III (10/23). At 9 and 10:30 p.m., Cornelia Street Café, 29 Cornelia Street, West Village , (212) 989-9319, corneliastreetcafe.com; $10 cover, with a one-drink minimum

Photo by David Goldstein

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Sonny Rollins Plays the Truth

Sonny Rollins on “Oleo” with NHOP and Alan Dawson: